I have had a lifetime of struggle to overcome my own insecurities. When I was very young, I was horrified to discover that my parents were quietly standing behind me as I sang to my sister’s albums. They didn’t ridicule my singing; they just stood there smiling, like they were waiting for the punch line from a long joke. Why was I so embarrassed to sing? Everyone has a voice. Everyone has the capability to sing. Yes, everyone can sing but it is the potential ridicule of the listener that keeps the singer silent. I often wonder if the experience would’ve been less traumatizing if they had said something. Anything. Maybe, if they had said, “You can’t sing” or “That’s good, son,” but their silence was deafening. Can I sing? Can I carry a tune in a bucket? Am I tone deaf without knowing it? The answer has haunted me for years and left me with a fear of the unknown. Its a fear that I have kept buried in my psyche and never dared share with anyone. Until now.
What follows is my self-exposure and YOU, the reader of this page, are my therapist.
In the 70s, it was almost mandatory that all Methodist youth participate in our church choir in Terrell, TX. I remember our choir teacher loved my singing an unwritten harmony during practice, but I was too embarrassed to sing it during our church performance. It was safer to blend in; I never wanted a solo. I learned to “sing solo… solo (so low) nobody could hear me.”
The very first time I ever considered singing lead was the result of being encouraged by a friend, Les, who told the rest of our band, “John can sing just as well as Joe Elliot (Def Leppard).” While I immediately disagreed, I was pleased with the remark and it even encouraged me to sing half of our Dragon Master set.
As the guitarist in a later band, Darc Horse, I also sang harmonies and background vocals. We tried a few front men, but eventually just settled on handling the singing “duties” ourselves. This decision was more financially driven because we despised splitting our income with a non-musician.
I’ve always had an ear for harmony, which goes back to my childhood listening to Three Dog Night. Picking out the 3rd or 5th, instead of just the melody, just comes naturally to me. It’s an attribute that I take for granted and don’t often realize that it is a true talent. My direction of “you sing the 3rd” is often met with gaping mouths by my bandmates. My being able to pick out and sing harmonies is probably the only skill that has differentiated me and kept me in many bands. I don’t have a great sounding voice, but have a good vocal range and can sing what I need to sing. We used to boast that we were the only band who could go from George Strait to AC/DC in the same set, usually saving the harder stuff for the last set because it shredded my vocal chords. Also, by the time of the last set, those songs were more acceptable by the crowd to which we were playing. It’s amazing how good I sound when the audience is inebriated.
Where did I get my vocal range? When I was younger, I learned to sing “Child In Time” by Deep Purple. I sang it over and over and over. Other attempts at ‘nailing’ the voices of Robert Plant and Geddy Lee stretched my vocal chords. I won’t say that I sound like either of these guys, but I will admit that trying never hurt. Once I figured out that I could actually hit higher notes, I started looking for other things to sing. I loved the vocal acrobatics in THAT part of “Victim of Changes” by Judas Priest. But just as importantly as stretching my upper range, was trying to sing low, like Don Williams or Billy Gibbons. Stretching high and reaching low led me to the range I have now.
I have a great range but have never really liked the timbre of my voice. The recordings of my own self-written songs sound like a raspier version of Don Henley, which I begrudgingly admit must be my true voice. I was once told that I sound like Rod Stewart, which is truly a backhanded compliment. Fortunately, years of mimicking the voices of other singers has left me with the ability to avoid actually singing like myself.
Ironically, I didn’t really appreciate my own voice until I started singing karaoke. A dare got me to sing and apparently I did well enough to be asked to sing more. At first, I felt naked on stage without my guitar. Hiding behind a single mic stand, I persevered until I won a later karaoke contest. I’ve been told that its like winning a “Tallest Midget Contest,” but it took karaoke to actually open me up to singing in public, almost 40 years after being ‘caught’ singing. Now, whenever I venture back to that karaoke place, I am recognized and get requests to sing. I don’t feel the adoration of a conquering hero, but will admit that I enjoy the simple recognition. I oblige the requests only because I have finally overcome my insecurities.



